Эжен Делакруа - Казнь дожа Марино Фальеро 1825-1826

Two Views of costumes Souliote 1824-1825 Two Greek warriors dancing. Study costumes Souliotes 1824-1825 Female Nude Reclining on a Divan 1825-1826 The Execution of the Doge Marino Faliero 1825-1826 The Dying Turk 1825-1830 Combat Between the Giaour and the Pasha 1826 Esquisse pour Le Christ au Jardin des Oliviers. Sketch for Christ in the Garden of Olives 1826
Эжен Делакруа - Казнь дожа Марино Фальеро 1825-1826

Казнь дожа Марино Фальеро 1825-1826
145x113см холст/масло
The Wallace Collection, London, United Kingdom

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From The Wallace Collection, London:
Painted in 1825-6, a period when Delacroix briefly shared his studio with Bonington, whose influence this painting reveals. It was exhibited at the Paris Salon of 1827. The subject is taken, with some variations from the text, from Byron’s 'Marino Faliero, Doge of Venice' (1820), V, iv. Byron, with Walter Scott, was the modern author who provided the richest stimulation to Delacroix's work. Faliero (1274-1355) was elected Doge in 1354 but was executed in the following year after conspiring against the Venetian state. The setting in Delacroix's painting recalls (but does not represent) the Giant’s Staircase of the Doge’s Palace (built 1485-9), and the costumes, some of the heads of the dignitaries and the rich colouring are derived from Venetian Renaissance painting.