Эжен Делакруа - Портрет Паганини 1832

Moroccan horsemen in military action. Moroccan Military Exercises 1832 Moroccan Women 1832 Page from the Moroccan Notebook 1832 Portrait of Paganini 1832 Seated Arab in Tanger 1832 Self-Portrait with Cap 1832 Sketch for the Women of Algiers 1832
Эжен Делакруа - Портрет Паганини 1832

Портрет Паганини 1832
43x28сммасло/картон/панель
The Phillips Collection, Washington, United States

<< Previous G a l l e r y Next >>

From The Phillips Collection, Washington:
Eugene Delacroix heard the legendary Italian violinist and composer Nicolo Paganini play at the Paris Opera on March 9, 1831, and painted the small, full-length portrait of the virtuoso a short time later. Contemporary accounts, confirmed by Delacroix’s painting, make clear that Paganini’s appearance was strange, if not repellent. He was tall and thin, cadaverously pale, with missing teeth and shoulder-length black hair. In performance, however, he charmed, and his presence was electrifying. It was noted that he played with his right foot thrust forward beating time, while his garments flapped around his skinny frame. Delacroix’s portrait of Paganini, the only one he painted of a contemporary celebrity outside his circle, shows the violinist in concert and is executed with an energy and brilliance that match the playing of its subject. The black-clad figure of Paganini is barely distinguished from the dark background, as he stands with his weight on his left foot, his right leg forward and bent at the knee. Light falls only on his face, with closed eyes, his all-important hands, and his shirt front. The line of the bow shines against the violin, itself barely discernible against the surrounding darkness.