Клод Моне - Мост в Аржантёе 1874

Claude Monet - The Banks of the Seine at the Argenteuil Bridge 1874 Claude Monet - The Boats Regatta at Argenteuil 1874 Claude Monet - The Bridge at Argenteuil, Grey Weather 1874 Claude Monet - The Bridge at Argenteuil 1874 Claude Monet - The Bridge at Argenteuil 1874 Claude Monet - The Bridge over the Seine 1874 Claude Monet - The Bridge, Amsterdam 1874
Клод Моне - Мост в Аржантёе 1874

Мост в Аржантёе 1874
60x79см холст/масло
National Gallery of Art, Constitution Avenue NW, Washington, DC
The image is only being used for informational and educational purposes

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From the National Gallery of Art, Washington:
From a distance of ten feet or so, Monet's brushstrokes blend to yield a convincing view of the Seine and the pleasure boats that drew tourists to Argenteuil. Up close, however, each dab of paint is distinct, and the scene dissolves into a mosaic of paint—brilliant, unblended tones of blue, red, green, yellow. In the water, quick, fluid skips of the brush mimic the lapping surface. In the trees, thicker paint is applied with denser, stubbier strokes. The figure in the sailboat is only a ghostly wash of dusty blue, the women rowing nearby are indicated by mere shorthand.
In the early years of impressionism, Monet, Renoir, and others strove to capture the fleeting effects of light and atmosphere on the landscape and to transcribe directly and quickly their sensory experience of it. Monet advised the American artist Lilla Cabot Perry, "When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever. Merely think here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives your own naïve impression of the scene before you."