©Пабло Пикассо - Художник и его модель 1927

Milliners. Workshop of the milliner 1926 Figure 1927 Man and woman 1927 Painter and his model 1927 Seated woman 1927 Studio 1927 Study of Cannes 1927
Пабло Пикассо - Художник и его модель 1927

Художник и его модель 1927
214x200см холст/масло
The Tehran Museum of Contemporary Art, Tehran
The image is only being used for informational and educational purposes

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Picasso began "Painter and Model" with high ambitions because he selected one of the largest canvases he had used since "Les Demoiselles," and he chose the exceptional proportions of that earlier painting—a nearly square format that concentrates the composition and isolates it from the surrounding panorama of everyday things. But the strategy he employed to capture the imagination of the viewer of "Painter and Model" is radically different from the aggressive confrontation between prostitutes and audience in "Les Demoiselles."