Винсент Ван Гог - Звездная ночь над Роной 1888

The Poet's Garden 1888 Self-Portrait. Dedicated to Paul Gauguin 1888 The Sower: Outskirts of Arles in the Background 1888 Starry Night Over the Rhone 1888 Vincent s House in Arles The Yellow House 1888 Portrait of Milliet, Second Lieutenant of the Zouaves 1888 Willows at Sunset 1888
Винсент Ван Гог - Звездная ночь над Роной 1888

Звездная ночь над Роной 1888
72x92см холст/масло
Paris, Musee d'Orsay

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From the Musée d'Orsay, Paris, France:
From the moment of his arrival in Arles, on 8 February 1888, Van Gogh was constantly preoccupied with the representation of "night effects". In April 1888, he wrote to his brother Theo: "I need a starry night with cypresses or maybe above a field of ripe wheat." In June, he confided to the painter Emile Bernard: "But when shall I ever paint the Starry Sky, this painting that keeps haunting me" and, in September, in a letter to his sister, he evoked the same subject: "Often it seems to me night is even more richly coloured than day". During the same month of September, he finally realised his obsessive project.
He first painted a corner of nocturnal sky in Cafe Terrace on the Place du Forum, Arles (Otterlo, Rijksmuseum Kröller-Muller). Next came this view of the Rhône in which he marvellously transcribed the colours he perceived in the dark. Blues prevail: Prussian blue, ultramarine and cobalt. The city gas lights glimmer an intense orange and are reflected in the water. The stars sparkle like gemstones.
A few months later, just after being confined to a mental institution, Van Gogh painted another version of the same subject: Starry Night (New York, MoMA), in which the violence of his troubled psyche is fully expressed. Trees are shaped like flames while the sky and stars whirl in a cosmic vision. The Musée d'Orsay’s Starry Night is more serene, an atmosphere reinforced by the presence of a couple of lovers at the bottom of the canvas.