Джеймс Уистлер - Симфония в белом №1. Девушка в белом. Портрет Джоанны Хиффернан 1862

A White Note 1861 The Coast of Brittany 1861 Blue and Silver. The Blue Wave Biarritz 1862 Symphony in White no.10. The White Girl Portrait of Joanna Hiffernan 1862 The Gold Scab 1862 The Last of Old Westminster 1862 Battersea Reach 1863
Джеймс Уистлер - Симфония в белом №1. Девушка в белом. Портрет Джоанны Хиффернан 1862

Симфония в белом №1. Девушка в белом. Портрет Джоанны Хиффернан 1862
108x214см холст/масло
National Gallery of Art, Washington DC

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From National Gallery of Art, Washington:
When Whistler submitted The White Girl to the Paris Salon in 1863, the tradition–bound jury refused to show the work. Napoleon III invited avant–garde artists who had been denied official space to show their paintings in a "Salon des Refusés," an exhibition that triggered enormous controversy. Whistler's work met with severe public derision, but a number of artists and critics praised his entry. In the Gazette des Beaux–Arts, Paul Manz referred to it as a "symphony in white," noting a musical correlation to Whistler's paintings that the artist himself would address in the early 1870s, when he retitled a number of works "Nocturne," "Arrangement," "Harmony," and "Symphony."